From the outset, Miyake’s creative process has been based upon the concept of “one piece of cloth.” His process explores the fundamental relationship between the body, the cloth that covers it, and the space and room that is created between these elements, divesting itself of the labels of “East” or “West”. Miyake’s creative process begins by studying a single thread and creating his material. In the 1970s, Miyake joined with a number of collaborators, the result of which was the development of many new fabrics and ways by which to make things that incorporated traditional handcrafts wedded to the newest technology.
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